Les Nabis: French Prophets of Modern Art, A Selection from the Robert L. Hoskins and Erwin A. Raible Collection of Fin de Siècle French Prints. A Gift of Elaine Rutowski Shay
"Petit Casino" Henri de Toulouse-Lautrec, Lithograph, 1893, 2008.487.112
Date and TimeWednesday, September 3, 2014
7:00 a.m. - 7:00 p.m.
- West Wall Gallery, L. V. Eberhard Center, Robert C. Pew Grand Rapids Campus
The word “Nabis” means prophet in Hebrew and Arabic and was a term applied to a rebellious group of young art students at the Académie Julian in Paris, France. The poet Henri Cazalis (1840 - 1909) coined the term “Les Nabis” by drawing parallels between these artists, who aimed to revitalize painting much as the ancient Jewish prophets rejuvenated Israel. This movement set an avant-garde pace for art, one that was distinctly different from the Impressionist painters who used small, thin brush strokes to emphasize accurate depictions of light.
Erwin Raible began collecting when he and his business partner opened cabaret and piano bar style clubs in New York City. A critical question they faced was, “what should the club's ambiance be?” One of the clubs Raible owned had chandeliers that resembled Paris’ famed Moulin Rouge in the 1890s and Raible quickly thought of the artist Henri de Toulouse-Lautrec. Fin de siècle French prints became the collectors’ focus.
GVSU acquired this collection of French Prints in 2009 and has made numerous reproductions since for display purposes. This French print collection today may be found on the GVSU Allendale Campus, Robert C. Pew Grand Rapids Campus, and the Detroit Center.
Art Gallery, 616-331-2563