Ahearn, Barry, ed. Pound / Cummings: The Correspondence of
Ezra Pound and E. E. Cummings. Ann Arbor: U of Michigan P, 1996.
Cummings, E. E. Complete Poems 1913-1962. Ed George J.
Firmage. New York: HBJ, 1972.
---. Complete Poems, 1904-1962.
New York: Liveright, 1994. Abbreviated CP.
---. Etcetera: The Unpublished Poems of E. E. Cummings.
Ed. George James Firmage and Richard S. Kennedy. New York: Liveright,
1983.
Abbreviated ETC.
---. The Enormous Room: A
typescript edition with drawings by the author. Ed. George James
Firmage. New York: Liveright, 1978.
---. Him. New York: Boni and
Liveright, 1927. Reprinted. New York: Liveright, 1955, 1970.
---. Eimi. New York: Covici,
Friede, 1933. Reprinted. New York: William Sloane, 1949. Reprinted with
an introduction by EEC, New York: Grove Press, 1958.
---. E. E. Cummings: A Miscellany
Revised. Ed. George J. Firmage. New York: October House, 1965.
---. Three Plays and A Ballet. Ed. George J. Firmage.
New York: October House, 1967. [Contains the plays Him,
Anthropos, Santa Claus, and the ballet Tom.]
---. Selected Letters of E. E.
Cummings. Ed. F.W. Dupee and George Stade. New York: HBJ, 1969.
---. Selected Poems. Ed. Richard S. Kennedy. New York:
Liveright, 1994. Abbreviated SP.
Kostelanetz, Richard, and John Rocco, eds. AnOther E. E.
Cummings. New York: Liveright, 1998.
Firmage, George J. E. E. Cummings: A Bibliography.
Middletown, Con.: Wesleyan UP, 1960. [Descriptive list of
publications by Cummings.]
Lozynsky, Artem. "An Annotated Bibliography of Works on
Cummings." Journal of Modern Literature 7.1 (1979): 350-393.
McBride, Katharine Winters. A Concordance to the Complete
Poems of E. E. Cummings. Ithaca: Cornell UP, 1989. [Lists
locations
of all words in 1972 Complete Poems.]
Rotella, Guy. E. E. Cummings: A Reference Guide. Boston:
G.K. Hall, 1979. [Annotated listing of works about Cummings'
work.]
---. "E. E. Cummings: A Reference Guide Updated." Resources
for American Literary Studies, 12.2 (1982): 143-88.
---. "Love, rain, etc.: écriture et lieu commun dans la
poésie d'E. E. Cummings." Revue Française
d'Études Américaines 85 (June 2000): 33-40.
Allen, Frederick Lewis. Only Yesterday: An Informal History
of the Nineteen-Twenties. 1931. New York: Harper & Row /
Perennial,
1964.
Babcock, Sister Mary David, O.S.B. "Cummings' Typography: An
Ideogrammic Style." Renascence 15 (1963): 115-123.
Badger, Reid. A Life in Ragtime: A Biography of James Reese
Europe. New York: Oxford UP, 1995.
Baker, Sheridan. "Cummings and Catullus." Modern Language
Notes 74 (1959): 231- 234.
Barton, Cynthia. "Cummings' MEMORABILIA." The Explicator
22 (1963), item #26.
Baum, S. V. "E. E. Cummings: The Technique of Immediacy." South
Atlantic Quarterly 53 (1954): 70-88. Rpt. in Friedman, E. E.
Cummings: A Collection of Critical Essays. 104-20.
---. ed. ΕΣΤΙ:eec:
E. E. Cummings
and the Critics. East Lansing: Michigan State UP, 1962.
Beloof, Robert L. "E. E. Cummings: The Prosodic Shape of His
Poems." Diss. Evanston: Northwestern University, 1954.
Bishop, John Peale. "The Poems and Prose of E.E. Cummings." Southern
Review 4 (1938): 173-86. Rpt. in Rotella, Critical Essays.
125-35.
Blackmur, R. P. "Notes on E. E. Cummings' Language." Hound
and Horn 4 (1931): 163- 92. Rpt. in Form and Value in Modern
Poetry. Garden City, NY: Doubleday- Anchor, 1957. 287-312.
---. "Twelve Poets." Southern Review 7 (1941): 187-213.
Rpt. as "Review of 50 Poems." in Friedman, ed. E.E.
Cummings: A Collection of Critical Essays. 75-78.
Cureton, Richard. "E. E. Cummings: A Case Study of Iconic
Syntax." Language and Style 14 (1981): 185-215.
---. "'he danced his did': an analysis." Journal of
Linguistics 16 (1980): 245-62.
---. "Poetic Syntax and Aesthetic Form." Style 14
(1980): 381-40.
---. "Visual Form in E. E. Cummings' No Thanks." Word
& Image 2 (1986): 245-77.
Daniels, Jonathan. The Time Between the Wars: Armistice to
Pearl Harbor. Garden City: Doubleday, 1966.
Dendinger, Lloyd N., ed. E.E. Cummings: The Critical
Reception. Burt Franklin: New York, 1981.
Docherty, Brian. "[E.E. C]ummings." American Poetry: the
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120-130.
Everson, Edith. "E. E. Cummings' Concept of Death." Journal
of Modern Literature 7 (1979): 243-254.
---. "Cummings' 'that which we who're alive in spite of
mirrors'." The Explicator 32 (1974), item 55.
Fairley, Irene. E. E. Cummings and Ungrammar, a Study of
Syntactic Deviance in His Poems. Stamford, CT: Windmill P, 1975.
---. "Cummings' Love Lyrics: Some Notes by a Female Linguist." Journal
of Modern Literature 7 (1979): 205-218.
Forrest, David V. "E. E. Cummings and the Thoughts That Lie Too
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Study
of Interpersonal Processes. 43:1 (February 1980): 13-42.
Frankenberg, Lloyd. "Cummings Times One." Pleasure Dome: on
reading moderen poetry. New York: Houghton Mifflin, 1949. 157-194.
Rpt. in Baum, ed. Cummings and the Critics. 144-69.
Freeman, Donald C. "The Grammar of Ungrammar." Semiotica
22 (1978): 369-85.
Friedman, Norman. E. E. Cummings: The Art of His Poetry.
Baltimore: Johns Hopkins UP, 1960.
---. "E. E. Cummings and the Modernist Movement." Forum
3.10 (1962): 39-46. Rpt. in Rotella, ed. Critical Essays on E.E.
Cummings. 160-174.
---. E. E. Cummings: The Growth of a Writer. Carbondale:
Southern Illinois UP, 1964.
---, ed. E. E. Cummings: A Collection of Critical Essays.
Englewood Cliffs: Prentice-Hall, 1972.
---. (Re) Valuing Cummings: further essays on the poet,
1962-1993. Gainesville: University P of Florida, 1996.
---. "Poem vs. Slogan: In Defense of E. E. Cummings." The
Reconstructionist 22 Feb. 1952: 18-23.
Gerber, Phillip L. "E. E. Cummings's Season of the Censor." Contemporary
Literature 19 (1988): 177-200.
Heusser, Martin. "Transcendental Modernism: E. E. Cummings' Moon
Poems." Aspectsof Modernism: Studies in Honour of Max Nänny.
Ed. Andreas Fischer, Martin Heusser, and Thomas Hermann. Tübingen:
Gunter Narr, 1997. 55-74.
---. I Am My Writing: The Poetry of E. E. Cummings.
Tübingen: Stauffenburg Verlag, 1997.
Horton, Philip and Sherry Mangan. "Two Views of Cummings." Partisan
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Jarrell, Randall. Rev. of Xaipe, by E. E. Cummings. Partisan
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Kammen, Michael. The Lively Arts: Gilbert Seldes and the
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Kennedy, Richard S. Dreams in the Mirror: A Biography of E.
E. Cummings. New York: Liveright, 1980.
---. "E. E. Cummings: The Emergent Styles, 1916." Journal of
Modern Literature 7 (1979): 175-204.
Lane, Gary. I Am: A Study of E. E. Cummings' Poems.
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Logan, John. "The Organ Grinder and the Cockatoo: An
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The Explicator 26 (1968), item #59.
Marks, Barry. E. E. Cummings. New York: Twayne, 1964.
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Maurer, Robert E. "E. E. Cummings' Him" in Norman
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McIlvaine, Robert M. "Cummings' 'brIght.'" The Explicator
30 (1971), item 6.
Metcalf, Allan A. "Dante and E. E. Cummings." Comparative
Literature Studies 7 (1970): 374-386.
Miller, Lewis H. "Advertising in Poetry: A Reading of E. E.
Cummings' 'Poem, or Beauty Hurts Mr. Vinal'," Word & Image
2 (1986): 349-362.
Norman, Charles. E. E. Cummings, The Magic Maker. Rpt.
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Nänny, Max. "Iconic Dimensions in Poetry." On Poetry
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111-35.]
---. "Iconic Features in E. E. Cummings' Poetry." The Idea
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Parrish, Michael E. Anxious Decades: America in Prosperity
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Paz, Octavio. "E. E. Cummings." The Siren and the Seashell.
Trans. Lysander Kemp and Margaret Sayers Peden. Austin: U of Texas P,
1976. 131-136.
Riding, Laura and Robert Graves. "William Shakespeare and E. E.
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---. "Modernist Poetry and the Plain Reader's Rights." A
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East
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Read, Donald R. "E. E. Cummings: The Lay of the Duckbilled
Platitude." Satire Newsletter 3 (1965): 30-33.
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Boston: G.K. Hall, 1984.
---. "Nature, Time, and Transcendence in Cummings' Later Poems."
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Rus, Louis C. "Cummings' '(one!)'." Explicator
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Savo, Jimmy. I Bow to the Stones: Memories of a New York
Childhood. New York: Howard Frisch, 1963.
Seldes, Gilbert.The Seven
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---. The 7 Lively Arts. 2nd ed. New York: Sagamore, 1957.
Schroeder, Fred E. H. "Obscenity and Its Function in the Poetry
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Smeltsor, Marjorie. "'Damn Everything but the Circus': Popular
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Yale Review 62.3 (March, 1973): 412-19. Rpt. as "Ammons,
Berryman, Cummings." Part of Nature, Part of Us: Modern American
Poets. Cambridge, MA: Harvard UP, 1980. 323-330.
---. Rev. of Complete PoemsYale Review 80.3
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---. "E. E. Cummings and the Reader: Technique as Critique." Interart
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---. "'hatred bounces': Satire and Prejudice in the Poetry of E.
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6 (1997).
---. "'singing is silence': Being and Nothing in the Visual
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Amsterdam: John Benjamins, 1999. 199-214.
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Wilson, Edmund. "E. E. Cummings' Him." The Shores of
Light. New York: Farrar, Straus, & Young, 1952. 282-285. (This
is a review of
the play as published.)
Young, Stark. "Him" New Republic 54 (May 2,
1928): 325-26. Rpt in S. V. Baum, ed. ESTI:eec:
E. E. Cummings and the Critics. East Lansing: Michigan State
UP, 1962.
47-49. (This is a review of the play as performed.)